British Art Studies

Issue 6 – June 2017

Invention and Imagination in British Art and Architecture, 600–1500 Edited by Jessica Berenbeim and Sandy Heslop

Pilgrim souvenirs and secular badges, from the collection of the British Museum, London. Digital image courtesy of Trustees of the British Museum.

INTRODUCTION

Editorial

By Sandy Heslop
and Jessica Berenbeim

ARTICLE

Medieval Invention and its Potencies

By Paul Binski

ARTICLE

Innovation in English Gothic Architecture

By Roger Stalley

ARTICLE

Imagining Invention

By James Hillson

ARTICLE

Creativity in Three Dimensions

By Alexandrina Buchanan
and Nicholas Webb

ARTICLE

Inventio Porticus—Imagining Solomon’s Porches in Late Medieval England

By Helen Lunnon

ARTICLE

Imagining Place and Moralizing Space

By Laura Slater

ARTICLE

The Englishness of English Sedilia

By James Alexander Cameron

ARTICLE

Legal Crisis and Artistic Innovation in Thirteenth-Century Scotland

By Jessica Barker

ARTICLE

In the Vineyard of the Lord

By Veronika Decker

ARTICLE

The Temple of Justice and the Key of David

By Lloyd de Beer

ARTICLE

Resonance and Reuse

By Kirsten Collins

ARTICLE

Wording the Wound Man

By Jack Hartnell

CONVERSATION PIECE

Disciplining the Digital

Coordinated by Amy Jeffs

ONE OBJECT

Handling Digital Objects

By Lloyd de Beer
and Naomi Speakman

ONE OBJECT

An Ivory Staff Terminal from Alcester

By Sandy Heslop

ONE OBJECT

Pilgrim Souvenir

By Amy Jeffs

ONE OBJECT

Morse Decorated with the Crucifixion and the Monogram of Abbot Walter Clifton of Warden Abbey

By Michael Carter

ONE OBJECT

Pilgrim Souvenir

By Amy Jeffs