British Art Studies is an innovative space for new peer-reviewed scholarship on all aspects of British art.

Issue 21 – November 2021

Redefining the British Decorative Arts Edited by Iris Moon

Michelle Erickson, *Wild Tweets* (dithered detail), 2021, high temperature wood-fired indigenous North Carolina porcelain, height 8 in. Collection of the artist. Digital image courtesy of the artist / Photograph by Robert Hunter (all rights reserved).

INTRODUCTION

Unhomely

By Iris Moon

ARTICLE

England Am I?

By Sarah Bochicchio

ARTICLE

Microorganisms, Microscopes, and Victorian Design Theories

By Ariane Varela Braga

ARTICLE

Tarnished Silver

By Max Bryant

ARTICLE

Cherokee Unaker, British Ceramics, and Productions of Whiteness in Eighteenth-Century Atlantic Worlds

By R. Ruthie Dibble
and Joseph Mizhakii Zordan

ARTICLE

Defining a New Femininity? Josiah Wedgwood’s Portrait Medallions of Sarah Siddons and his “Femmes Célèbres”

By Patricia F. Ferguson

ARTICLE

Classical Histories, Colonial Objects

By Freya Gowrley

ARTICLE

Serving as Ornament

By Hannah Lee

ARTICLE

Ruth Ellis’s Suit

By Lynda Nead

ARTICLE

Colonial Trash to Island Treasure: The Chaney of St. Croix

By Jessica Priebe

ARTICLE

In the Flesh at the Heart of Empire

By Ianna Recco

ARTIST COLLABORATION

Wild Porcelain

By Michelle Erickson

ONE OBJECT

The Chelsea Porcelain Case, British Galleries, The Metropolitan Museum of Art

Convened by Iris Moon

INTERVIEW

Unpacking Wedgwood

Interview between Caitlin Meehye Beach
and Roberto Visani

VIRTUAL EXHIBITION

What’s in a Label?

Convened by Iris Moon

IN THE ARTIST'S WORDS

Another Crossing

By Glenn Adamson

LOOK FIRST

In Sparkling Company

By Christoper Maxwell